Gentileschi, Judith Slaying Holofernes
Judith Slaying Holofernes at Palazzo Vecchiocan get deer valley lodge barneveld wi la reina del flow capitulo 35
Do Not Touch is a hands on approach to the art world. Whether in a museum, gallery, or other sterile-feeling cultural space, there are signs that warn us to stay away and maintain a safe distance from a precious object. This mindset can easily seep into the rest of our experience, beyond just a physical reminder. Listen to our podcast, Disturbing the Piece: rethinking the art world, at the link above. What Were They Thinking!? We're continuing our streak of focusing on strong women by highlighting Baroque artist and modern-day feminist icon Artemisia Gentileschi She was the first female painter to become a member of the Accademia di Arti del Disegno in Florence and one of the few women to achieve success in the world of men.
Judith Slaying Holofernes is a painting by the Italian early Baroque artist Artemisia Gentileschi completed in and now in the National Museum of.
comment faire des bandes de peinture sans baver
From the Book of Judith comes the tale of Judith beheading Holofernes. In the story, Judith, a beautiful widow, is able to enter the tent of Holofernes because of his desire for her. Overcome with drink, he passes out and is decapitated by Judith; his head is taken away in a basket. The story has been a rich vein for artists to explore throughout the centuries. Throughout her career, Gentileschi featured women, often from mythology or the Bible, as primary subjects with real agency in her paintings. But the story of Judith and Holofernes likely appealed to her for another reason as well.
So says Judith, a young Jew from Bethulia, in the bible when she describes her heroic act that freed the people of Israel from the siege by Nebuchadnezzar's army. Judith went to the encampment of the fierce Holofernes, general of the enemy army, dressed in her best clothes and feigning a wish to forge an alliance. Struck by her beauty, the Assyrian general invited her to a lavish banquet in his tent. After eating and drinking, Holofernes, now drunk, fell asleep on his bed, allowing Judith to seize her chance to draw her scimitar and strike the deadly blow. In this powerful painting in the Gallery of the Statues and Paintings of the Uffizi, c. The overall effect is both powerful and frightening: the drunk corpulent general is lying on the bed, his head grasped by his hair and the sword plunged into his neck.
The subject takes an episode from the apocryphal Book of Judith in the Old Testament , which recounts the assassination of the Assyrian general Holofernes by the Israelite heroine Judith. The painting shows the moment when Judith, helped by her maidservant, beheads the general after he has fallen asleep drunk. She also painted a later version of the work in the early s, now in the Uffizi in Florence. Gentileschi made a second version of this painting after moving to Florence. There is no information as of yet on the patron of this artwork. The location of Gentileschi's Capodimonte copy is not known until it was documented in the Signora Saveria de Simone collection in Naples in
Judith and Holofernes by Artemisia Gentileschi
Artemisia Gentileschi was an Italian painter, considered as one of the most accomplished and, most famous women painter, of the 17th century after Caravaggio. In an era when female painters were not easily accepted, she was the first female painter to become a member of the Accademia di Arti del Disegno in Florence. Of this dramatic case, concluding predictably with the humiliation of Artemisia, documentation does exist and today is often taken as a symbol of the violence women have had to endure for centuries.